| STATEMENT | PROGRAM | KEYNOTE | PRESENTATIONS | PHOTOS | VIDEOS | LINKS |
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| PROGRAM | ||
 ORIGINAL PROGRAM (PDF) |
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Friday, November 12, 2010 |
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Welcome and Introductions |
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Keynote Presentation |
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| Rick Prelinger, Archivist and Founder Prelinger Archive |
We Are the New Archivists: Artisans, Activists, Cinephiles, Citizens | |
Saturday, November 13, 2010 |
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Panel 1.1: Case Studies: New Platforms |
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| Moderator: Jan-Christopher Horak, Director UCLA Film &Television Archive |
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| George Feltenstein, Senior Vice President Theatrical Catalog Marketing Warner Archive Collection Online |
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| Tyler Leshney, Vice President Bob Schumacher Deluxe Archive Solutions and Tonight Show Starring Johnny Carson online |
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| Jean Marc Bordes, Chief Operating Officer Institut National de l'Audiovisuel |
Monitoring the broadcast of archive content: INA Signature | |
Panel 1.2: Local Media, Local Histories |
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| Moderator: Allyson Field UCLA Cinema & Media Studies |
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| Shannon Mattern The New School |
Excavating: Digging into urban media history through the archive | |
| Anne Richardson Independent film historian Dennis Nyback Independent film archivist |
The Portland that was: Archival film, video, and live screenings illuminate local history | |
| Elizabeth Coffman Tom Weinberg Sara Chapman Loyola University Chicago Media Burn Archive |
The Web 2.0 archive: Mediaburn.org and many-to-many archiving | |
Panel 1.3: Digital Scholarship |
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| Moderator: Janet Bergstrom, Professor UCLA Cinema & Media Studies |
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| Jim Ridolfo University of Cincinnati Michael McLeod WilliamHart-Davidson Michigan State University |
Tailoring the digital archive to the needs of cultural and scholarly stakeholders: The Samaritan Archive 2.0 Project | |
| Adam Lauder York University |
Raisonné as interactive archive and virtual research environment | |
| Kevin McMahon UCLA |
Archival walls to archival screens: Some post-classical precedents | |
| Howard Besser New York University |
Reimagining archives for the digital scholar of the future | |
Panel 1.4: Finding Community in the Archive: The Machine Project as Nexus |
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| Emily Lacy, Artist The Machine Project |
Performance | |
| Sam Meister, Archival Consultant | Looking for the archive elsewhere: Machine Project as a site of new investigations in archival practice | |
| Andrew J. Lau UCLA |
All description is a form of creation: Constructing the event through documentation | |
Panel 2.1: Academy of Motion Picture Arts & Sciences, Science & Technology Council: Digital Motion Picture Archive Project |
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| Andy Maltz, Director Science & Technology Council |
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| Elizabeth Cohen, Member Science & Technology Council |
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| Milt Shefter, Project Lead Digital Dilemma II |
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Panel 2.2: Amateur & Private Archives |
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| Moderator: Ramesh Srinivasan UCLA Department of Information Studies |
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| Amelia Abreu University of Washington |
Tag games, tweets, and recipes: Sharing and the archives of the Networked domestic | |
| Maija Andersen University of Chicago |
Private collectors, public collections: Reconsidering access and ownership | |
| Beth Capper School of the Art Institute of Chicago |
Pleasure palace theater of the future: The work and documents of Shirley Clarke's TeePee Video Space Troupe | |
Panel 2.3: New Tools & Platforms |
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| Martha Yee UCLA Film & Television Archive |
Reimagining moving image archival cataloging using the World Wide Web | |
| Erin Riesland USC Shoah Foundation Institute |
iWitness: Investigating the intersection of digital citizenship, new literacies, and Holocaust and genocide studies | |
| Sherri Wasserman Thinc Design |
Toward the design of effective tools to connect digital archives and public space | |
| Thomas Drugeon Valentine Frey Jérôme Thièvre Matteo Treleani Institut National de l'Audiovisuel |
Context sensitive archiving of videos on the web | |
Panel 2.4: Media Archaeology, Old and New |
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| Moderator: Erkki Huhtamo UCLA Department of Design | Media Arts |
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| Monika Gagnon Mary Elizabeth Luka Concordia University |
Creative archiving in the multimedia archive: Animating Canada and the Films of Expo '67 |
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| Richard Wright BBC Research & Development |
You can be serious: Broadcast archives and academic discourse | |
| Estelle Blaschke EHESS Max Planck Institute |
Between abundance and excess: The photographic archive and the Image economy | |
| Bradley Fidler UCLA |
Archiving Internet history at UCLA | |
Panel 3.1: CalArts Faculty: At the Digital Intersection |
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| Moderator: Steve Mamber, Professor UCLA Cinema & Media Studies |
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| Thom Andersen CalArts |
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| Rebecca Baron CalArts |
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| Norman Klein CalArts |
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| Allan Sekula CalArts |
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Panel 3.2: Realizing Scalar Capacities To Transform Media Archive |
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| Erik Loyer USC |
Introducing Scalar: Designs for innovation | |
| Craig Dietrich USC |
Beyond relational: Database dynamics of Scalar | |
| Steve Anderson USC |
Users allowed: Fair use and Critical Commons | |
| Mark Williams Dartmouth College (Presented at the Symposium by Steve Anderson) |
The history of now: Media ecology and the news | |
Panel 3.3: Archives, Knowledge & Power |
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| Moderator: Vivian Sobchack, Professor Emerita UCLA Cinema & Media Studies |
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| Sarah de Rijcke Anne Beaulieu Virtual Knowledge Studio, Royal Netherlands Academy of Arts & Sciences |
The enactment of museum collections in digital infrastructures: Authorizing actors, configuring expertise | |
| Noah Shenker McMaster University Virtual Museum of the Holocaust |
The Cambodian Genocide Tribunal, archived audiovisual testimonies, and the public record | |
| Ricardo Punzalan University of Michigan |
These images are similar, but are not the same: Colonial archives in the age of virtual reunification | |
Panel 3.4: Archival Practices, Methods, Cases |
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| Jackie Esposito Pennsylvania State University |
Electronic records management and digital curation for university business records: A Matryoshka design
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S. Lynn McClelland San Jose State University UCLA |
Challenges posed to digital preservation by United States intellectual property laws | |
| Valentine Frey Institut National de l'Audiovisuel |
Memory systems: A conceptual and methodological solution considering audiovisual archives in the digital era | |
| Nancy Marrelli Concordia University |
A case study of biomedical illustrations in Grant's Atlas of Anatomy textbook | |
Panel 4.1: Saving the Game: New Approaches to Preserving Videogame Culture |
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| Moderator: David O'Grady UCLA Cinema & Media Studies |
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| Megan Winget University of Texas, Austin |
We Need A New Model: The Game Development Process and Traditional Archival Models | |
| Henry Lowood Stanford University |
Video Capture: Machinima, Documentation, and the History of Virtual Worlds | |
| Ken McAllister University of Arizona Judd Ruggill Arizona State University |
Computer Game Archiving & the Serious Work of Being Silly | |
Panel 4.2: Archival Philosophy & Principles |
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| Moderator: Robert Rosen, Professor UCLA Cinema & Media Studies |
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| Julia Noordegraaf University van Amsterdam |
Performing the archive: Archivists as editors of knowledge | |
| Jillian Cuellar New York University |
Putting the "I" in archives: Archivists, amplified | |
| Alexander Berman Simmons College |
Conventional archival principles and their role in the digital environment | |
| Bruno Bachimont Institut National de l'Audiovisuel |
Digital memories: Preservation dynamics and new challenges | |
Panel 4.3: Cultures and Communities |
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| Moderator: Anne Gilliland UCLA Department of Information Studies |
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| Pedro Mandagará Pontifical Catholic University of Rio Grande do Sul |
A new kind of forgetting: The Brazilian mailzine, 1998-2002 | |
| Vivian Wong UCLA |
Asian diasporic community narratives | |
| Sheenagh Pietrobruno McGill University Faith University |
The living archive of an intangible cultural heritage | |
| Maria Cotera, Professor University of Michigan Linda Garcia Merchant, Artist |
Reimagining the Chicana archive: Documenting the development of Chicana feminist thought through new media | |
Panel 4.4: Europeana: Moving Images in the Digital Library - A Conversation with Jonathan Purday |
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| Host and moderator: Daniel Teruggi, Head of Research Institut National de l'Audiovisuel |
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| Jonathan Purday, Senior Communications Advisor Europeana |
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Panel 5.1: Ways Ahead for Graduate Education in Digital Media Archive |
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| Moderator: Leah Lievrouw, Professor UCLA Department of Information Studies |
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| Nick Browne, Professor and Chair UCLA Cinema & Media Studies UCLA Moving Image Archive Studies |
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| Caroline Frick Page, Curator of Motion Pictures George Eastman House L. Jeffrey Selznick School of Film Preservation University of Rochester |
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| Howard Besser, Professor and Director NYU Moving Image Archiving and Preservation Program |
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| Keith Johnston, Director of Post Graduate Taught Programmes M.A. in Film Studies with Film Archive Option University of East Anglia |
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| Julia Noordegraaf, Programme Director M.A. Program in Preservation and Presentation of the Moving Image University van Amsterdam |
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| Daniel Teruggi, Director of Research Institut National de l'Audiovisuel INA Sup |
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Panel 5.2: Archives Without Borders: Visual Media and Virtual Preservation |
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| Janet Bergstrom, Professor UCLA Cinema & Media Studies |
Celluloid past, digital futures? | |
| Eirik Frisvold Hanssen Norwegian University of Science & Technology |
Film curatorship, DVDs, and the memory and loss of materiality | |
| Marina Hassapopolou University of Florida |
Interactive cinema: Issues of archiving, access, retrieval and distribution | |
| John Hunter UCLA |
The inescapable archive: Cinematic representations of the computer ecosystem | |
Panel 5.3: Artists & Archives |
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| Moderator: Johanna Drucker, Breslauer Chair UCLA Department of Information Studies |
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| Florian Wiencek Jacobs University, Bremen |
The online life of media art archives | |
| Rachel Fensham University of Surrey |
Digital dance archives: Visual searching for enhanced interactivity | |
| Linda Tadic Audiovisual Archive Network |
Los Angeles art in sound and moving images: Deep indexing to mine hidden timebased content | |
Closing Plenary Panel Reimagining the Archive: The Challenges of Digitization |
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| Host and Moderator: Jan-Christopher Horak, Director UCLA Film & Television Archive |
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| Roei Amit, Head of Multimedia Publishing Institut National de l'Audiovisuel |
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| Gregory A. Lukow, Chief Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress |
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Digital (In)appropriations 2010 a festival of short, digital appropriated-footage films |
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| Curated by Jaimie Baron, Andrew Hall, and Madeleine Gallagher | ||
| Screenings: | ||
| A Movie | Bruce Conner | |
| A Movie by Jen Proctor | Jen Proctor | |
| 5DVacation2 | Ryan Lamb | |
| Nuke 'Em, Duke | LJ Frezza | |
| Ceibas (we things at play) | Evan Meaney | |
| Triptych Unrendered | Antonio Mendoza | |
| mountain-water-painting | Christin Bolewski | |
| Slipstream | Dillon Rickman | |
| Putting Yourself Out There | Clint Enn | |
| Moments in (Cyber)love | Jen Inman | |
| Virtual Assistance Project | Andrew Norman Wilson | |
| spam letter + google image search = video entertainment | Andre Silva | |
| Lossless | Rebecca Baron & Doug Goodwin | |
| Testament | Natalie Bookchin | |
 The UCLA-produced text and multimedia materials appearing on this site are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Participant content remains the sole work of the authors. Contact presenters directly for any questions regarding re-use. |
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